Why Do Women Still Have To Fight For Answers About Their Health? Mammary Mountain, a research project by Tara Baoth Mooney, Maf’j Alvarez & Camille Baker Can you help us develop a new interactive experience to tell the stories of women’s healthcare struggles, particularly on the hidden experiences of breast cancer treatment? Mammary Mountain is →

NEoN is excited to work with George Simms and invites you to ‘Configure-Able Infrastructures’, a series of online workshops exploring care and self-exploration enabled through life-affirming infrastructures. We will be joined by Melt (Ren Britton & Iz Paehr) to explore incendiary emails for change-making and SysterServer (Ai Carmela & OOOOO) to discuss the anarcha feminist →

With this ambitious new commission, Danielle Brathwaite-Shirley alerts us to meteoric gulfs in the world as we know it. The earth has changed and the choices we make now will reconstruct how we navigate it. Presented at the historic Arthurstone Library in Stobswell, Brathwaite-Shirley presents an art video game that allows audiences to interact and →

A is for Afterimage by Anne Colvin  In collaboration with Federation Gallery and NEoN Digital Arts. Supported by Creative Scotland. Set within the Keiller in Dundee–a 1970’s brutalist shopping centre–a series of elemental interventions explore the space as temporal site. In between the underused spaces, you find a newsstand, phone, homeware, and clothes shops, a →

In 2004, French authorities discovered a film theatre sequestered in the Paris catacombs. The theatre is said to have boasted a bar, a small kitchen, and a substantial selection of cinema – but when the police returned to conduct their official investigation, everything had been stripped away. There remained only a short note left behind →

Last year, artist and physicist Libby Heaney delivered a series of workshops with NEoN, which explored themes and motifs in her artistic practice. She speaks to Bilyana Palankasova about quantum and belief systems, plurality and speculation in her work. Bilyana Palankasova: Shall we start by talking about your position as a post-disciplinary artist and what →